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Me empresta seu peito porque a dor não tá cabendo só no meu.
Tati Bernardi.   (via incapacitado)

Talvez ser feliz signifique não se apaixonar..

A música que mudou minha vida

A música que mudou minha vida

Ele fazia meu coração palpitar. Sentia borboletas em meu estômago a todo tempo em que via seus olhos brilharem. Seu toque era algo surreal. Tocava não só no meu corpo, mas minha alma e principalmente meu coração. Seus lábios eram doces e seus beijos molhados. Nossas mãos tinham um encaixe praticamente perfeito. Hoje, depois de tudo, meu coração bate apenas como obrigação. E as borboletas que em mim voavam tão cheias de vida, morreram por falta. Falta de amor. Falta de motivação para continuarem vivendo. Falta de você.
Eu vomitei borboletas mortas. (via ilusionou)
smithsonianmag:
“ The Evolution of the Treble Clef
The curving flourishes of music notation have always been something a mystery to me, although every day I, like many people, use other arcane symbols without thinking twice about it. The at (@) sign,...

smithsonianmag:

The Evolution of the Treble Clef

The curving flourishes of music notation have always been something a mystery to me, although every day I, like many people, use other arcane symbols without thinking twice about it. The at (@) sign, the dollar sign ($) and the ampersand (&), for example, all function like ligatures or some sort of shorthand. They’ve been demystified by popular use in email, clues on “Wheel of Fortune,” and their inclusion on computer keyboards. But music notation is a semantic system that is entirely different from the written word; a non-spoken alphabet of pitch and rhythm. So, with apologies to the more musically inclined reader, I looked into the origin of the treble clef and the answer was quite simple. The treble clef, the top symbol you see in the photo above, is also known as the G-clef, which gives you the first clue to its origin.

So for my own edification, if nothing else, let’s start with the basics. A clef is a sign placed on a music staff that indicates what pitch is represented by each line and space on the staff. The history of Western musical notation describes an effort toward the development a simple, symbolic representations of pitch and rhythm. It begins near the end of the 9th century when notation for the Plainsong of the Western Church, better known as Gregorian Chant, was first recorded with “neumes”. These were simple dashes or dots above lyrics that indicated a relative change in pitch. At the end of the 10th century, musical scribes increased the precision of his early notation by introducing a horizontal line to indicate a base pitch (see above image). The pitch of this line was indicated by a letter at its start – typically  F or C and, as higher range songs become more common, G. Neumes were no longer relative only to one another, but to a standard. This was the beginning of the musical staff.

Continue reading at Smithsonian.com

Ciúmes

Que não há mal nenhum em ter outra amizade
E que brigar por isso é muita crueldade

… Mas eu me mordo de ciúmes!

(Ultraje a rigor)